Forensics expert Lincoln Rhyme and his protégée Amelia Sachs have been recruited by the FBI to capture "the Ghost" — a homicidal immigrant smuggler. But when they corner him aboard a cargo ship, the bust goes disastrously wrong and the Ghost escapes. Now, he must eliminate the only witnesses — two families who jumped ship and vanished into Chinatown. Against a ruthless adversary, Lincoln and Amelia race to find the families before the Ghost can silence them...

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Although not as complex or as haunting as his 1997 novel Church of Dead Girls, Stephen Dobyns has produced a first-rate psychological thriller with Boy in the Water.

Bishop's Hill Academy in rural New Hampshire is a school in crisis. Once a highly regarded preparatory school for the rich and elite, it is now a dumping ground for troubled teens. The teachers are unqualified, unenthusiastic, and spend more time hitting the students than educating them. A new headmaster, Jim Hawthorne, enters the chaotic scene, but is immediately outcast from the tight-knit faculty. Hawthorne is obsessed with the idea of turning the school around—and we soon find out why. His family died in a fire purportedly set by a disturbed teenager back in San Diego. Mentally and physically scarred, Hawthorne sees Bishop's Hill as an opportunity to get back to "physical reality," and save some adolescent psyches. But it is his own mental state that is soon put to the test as he becomes the nucleus of a hate campaign and is forced to relive the terrible memories of the fire.

It seems that everyone in the school has a secret to hide—from the cook Frank LeBrun who enjoys placing sharp tacks in his recipes to Chip Campbell, a history teacher who has taken one too many liberties with the school's funds.

Dobyns paints a foreboding landscape of dilapidated buildings and neglected children—a place where a 15-year-old girl plots to kill her father, a place where teachers abuse students, a place where a young boy is found dead in a swimming pool. As a snowstorm cuts off the isolated community, the exiled headmaster is forced into a final showdown with the school's omnipotent evil.

Boy in the Water is an entertaining but ultimately disturbing read. —Naomi Gesinger

Kim Edwards’s stunning family drama evokes the spirit of Sue Miller and Alice Sebold, articulating every mother’s silent fear: what would happen if you lost your child and she grew up without you? In 1964, when a blizzard forces Dr. David Henry to deliver his own twins, he immediately recognizes that one of them has Down Syndrome and makes a split-second decision that will haunt all their lives forever. He asks his nurse to take the baby away to an institution and to keep her birth a secret. Instead, she disappears into another city to raise the child as her own. Compulsively readable and deeply moving, The Memory Keeper’s Daughter is an astonishing tale of redemptive love. BACKCOVER: “Edwards is a born novelist. . . . Rich with psychological detail and the nuances of human connection.”
—Chicago Tribune

“Unfolds from an absolutely gripping premise, drawing you deeply and irrevocably into the entangled lives of two families and the devastating secret that shaped them both. I loved this riveting story.”
—Sue Monk Kidd

“Anyone would be struck by the extraordinary power and sympathy of The Memory Keeper’s Daughter.”
—The Washington Post

“Kim Edwards has written a novel so mesmerizing that I devoured it. . . . The Memory Keeper’s Daughter has it all.”
—Sena Jeter Naslund

“Kim Edwards has created a tale of regret and redemption, of honest emotion, of characters haunted by their past. This is simply a beautiful book.”
—Jodi Picoult

In the newest devastatingly intense thriller by #1 New York Times bestselling phenomenon Vince Flynn, his deadly and charismatic hero Mitch Rapp wages a war against a new enemy with the help of a fellow soldier as dedicated — and as lethal — as they come.

Vince Flynn's thrillers, featuring counterterrorism operative Mitch Rapp, dominate the imagination of readers everywhere. In them, Flynn captures the secretive world of the fearless men and women, who, bound by duty, risk their lives in a covert war they must hide from even their own political leaders.

Now, Rapp and his protégé, Mike Nash, may have met their match. The CIA has detected and intercepted two terrorist cells, but a third is feared to be on the loose. Led by a dangerous mastermind obsessed with becoming the leader of al-Qaeda, this determined and terrifying group is about to descend on America.

Rapp needs the best on this assignment, and Nash, who has served his government honorably for sixteen years — first as an officer in the Marine Corps and then as an operative in an elite counterterrorism team run by Rapp — is his choice. Together, they have made careers out of meeting violence with extreme violence and have never wavered in the fight against the jihads and their culture of death. Both have fought the war on terrorism in secret without accolades or acknowledgement of their personal sacrifices. Both have been forced to lie to virtually every single person they care about, and both have soldiered on with the knowledge that their hard work and lethal tactics have saved thousands of lives.

But the political winds have changed in America, and certain leaders on Capitol Hill are pushing to have men like Rapp and Nash put back on a short leash. And then one spring afternoon in Washington, DC, everything changes.

Using his insider knowledge of intelligence agencies and the military, Flynn once again delivers an all-too-real portrayal of a war that is waged every day by a handful of brave, devoted souls. Smart, fast-paced, and jaw-droppingly realistic, Extreme Measures is the political thriller of our time.

#1 NEW YORK TIMES BESTSELLING AUTHOR VINCE FLYNN RETURNS WITH HIS MOST EXHILARATING POLITICAL THRILLER TO DATE, A PULSE-POUNDING TALE OF ESPIONAGE, COVERT INTELLIGENCE, AND COUNTERTERRORISM.

The action begins six days after a series of explosions devastated Washington, D.C., targeting the National Counterterrorism Center and killing 185 people, including public officials and CIA employees. It was a bizarre act of extreme violence that called for extreme measures on the part of elite counterterrorism operative Mitch Rapp and his trusted team member, Mike Nash. Now that the initial shock of the catastrophe is over, key Washington officials are up in arms over whether to make friends or foes of the agents who stepped between the enemy's bullets and countless American lives regardless of the legal consequences. Not for the first time, Rapp finds himself in the frustrating position of having to illustrate the realities of national security to politicians whose view from the sidelines is inevitably obstructed.

Meanwhile, three of the al Qaeda terrorists are still at large, and Rapp has been unofficially ordered to find them by any means necessary. No one knows the personal, physical, and emotional sacrifices required of the job better than Rapp. When he sees Nash cracking under the pressure of the mission and the memories of the horrors he witnessed during the terrorist attack, he makes a call he hopes will save his friend, assuage the naysayers on Capitol Hill, and get him one step closer to the enemy before it's too late. Once again, Rapp proves himself to be a hero unafraid "to walk the fine line between the moral high ground and violence" (The Salt Lake Tribune) for our country's safety, for the sake of freedom, for the pursuit of honor.

An unlikely con man wagers wife, wealth, and sanity in pursuit of an elusive Old Master.

Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his art-historian wife are asked to assess three dusty paintings blocking the draught from the chimney. But hiding beneath the soot is nothing less-Martin believes-than a lost work by Bruegel. So begins a hilarious trail of lies and concealments, desperate schemes and soaring hopes as Martin, betting all that he owns and much that he doesn't, embarks on a quest to prove his hunch, win his wife over, and separate the painting from its owner.

In Headlong, Michael Frayn, "the master of what is seriously funny" (Anthony Burgess), offers a procession of superbly realized characters, from the country squire gone to seed to his giddy, oversexed young wife. All are burdened by human muddle and human cravings; all are searching for a moral compass as they grapple with greed, folly, and desire. And at the heart of the clamor is Breugel's vision, its dark tones warning of the real risks of temptation and obsession.

With this new novel, Michael Frayn has given us entertainment of the highest order. Supremely wise and wickedly funny, Headlong elevates Frayn into the front rank of contemporary novelists.